Castaing's grandson Frédéric confirmed that the Riccis had indeed been clients and so here for your pleasure are the photos which sadly didn't make the final cut. Nina was well into her seventies and had already set aside the reins of her maison de couture when this was published in 1961. However there are several touches which speak to the client's fashion background which veer from the classic Castaing canon, such as the abundant use of silks, grey carpeting, and general restrained use of patterns.
A mahogany bookcase and writing table cut a bold profile against the grey walls and black-bordered white carpeting in Robert’s masculine study.
All photos from Art et Décoration, April 1961
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